All posts tagged: Film Photography

© Ben Battaglia

Analog.days: Ben Battaglia

Sometimes I wonder about limits. The limits of exposure – not strictly photographically speaking, but rather the number of images the human eye can spot, process and assess. What are our precast or learned definition of what’s worth a second look and what isn’t? When it comes to film photography, one thing’s for sure: I have a soft spot for bright, bold, unusual compositions. And if you throw some interesting perspectives, multiple exposures and an interesting choice of film stock – I’m looking at you, Lomochrome Purple! – into the mix, we’ve got a match. Ben Battaglia‘s photos were pretty much calling out Bingo! in that respect, so it was only fair to enlist the compadre from the Southern English seaside town of Bournemouth for a little Q&A. Here we go! Let’s get the obvious one out the way: How and when did you figure out that shooting on film was for you? I was initially introduced to shooting film while studying for my photography A-level in 2009. The course focused on darkroom and we were required …

SelfieOnFilm

The selfie. Once considered as the artist’s go-to tool for self-presentation. Nowadays though, it’s more of an epitome of the disposable and (to some) an ailment of our digital world. Shot in every variation imaginable, played to the gallery, until somewhat happy with the result(s), selfies not only clutter our smartphone camera rolls, but rules supreme over today’s social media and photo apps. On Instagram, some 367m photos, and counting, are tagged with #selfie and there are no signs of slowing down. Infinite tries are not necessarily an option if you’re shooting film and so SelfieOnFilm features those who do it the old fashioned way and tell a story or two about the snap along the way. It is driven by what I like most about film photography: Not about the perfect shot, but about character, the little flaws, the grainy bits and distortions that make these images worthwhile and timeless.