All posts filed under: New

SelfieOnFilm

The selfie. Once considered as the artist’s go-to tool for self-presentation. Nowadays though, it’s more of an epitome of the disposable and (to some) an ailment of our digital world. Shot in every variation imaginable, played to the gallery, until somewhat happy with the result(s), selfies not only clutter our smartphone camera rolls, but rules supreme over today’s social media and photo apps. On Instagram, some 367m photos, and counting, are tagged with #selfie and there are no signs of slowing down. Infinite tries are not necessarily an option if you’re shooting film and so SelfieOnFilm features those who do it the old fashioned way and tell a story or two about the snap along the way. It is driven by what I like most about film photography: Not about the perfect shot, but about character, the little flaws, the grainy bits and distortions that make these images worthwhile and timeless.             Advertisements

Laura Pannack: Separation

Brexit’s a tough topic, a sore spot, especially if you’re experiencing it in the midst of it all, have family and friends who are or will be affected by the aftermath that nobody fully understands, least the country’s politicians. A lot, maybe too much has been said, written, lied, complained and argued about it, yet it’s an issue that’s in a way affecting everyone in Europe. And may it only tell us about the state the European project is in and how people perceive it, struggle with it, give up on it. Having lived in the UK before and after the horrendous decision as an expat myself before moving back to home soil, I know of the lingering questions that have put many relationships to the test. Shall we stay or do we have to leave? Does anyone still want us here? Should we get married to be on the safe side? In her intimate portrait series ‘Separation’, commissioned by British Journal of Photography, photographer Laura Pannack explores these feelings of uncertainty between London-based couples …

Going round & round: YamanoteYamanote

Travelling around Japan earlier this year has got me seriously falling in love with the country’s beautiful places, people, food and culture. Give me a little nudge, a gentle reminder of Nippon life and I’m easily thrown into a nostalgia-induced state of wanderlust and itching to jump on the next flight eastward. Thus, I was more than fair game for Tokyo-based Swiss graphic designers Julien Mercier and Julien Wulff, who yanked me from my daily routine with excellent poster project YamanoteYamanote. Following the eponymous circular train line that whirls around the bustling metropolis and serves downtown hotspots Shibuya, Shinjuku or Akihabara, the duo creates two corresponding designs for each of the 29 Yamanote stations and their characteristic surroundings. Every new design, combining minimalism, hushed colours, a clever mix of Japanese kanji and Latin letters, is then presented at a one-time exhibition at a venue near each station. 素晴らしい! Keep up to date with the Yamanote Yamanote project here: yamanoteyamanote.com @instagram @facebook

Devoted

At 15, considerably late in the game, I first picked up a skateboard and decided that this was the way I want to spend my time with, the way of exploring and making sense of the physical world around me. When I’m at my parents, my old room still has that skate rat feel to it. Broken boards here and there, some cut-out photos and ads of my favourite pros, some worn-out shoes crammed in the back of the wardrobe and of course, the huge pile of magazines collected along the way. A big chunk of my early skateboarding education, I owe to the videos I borrowed from friends on VHS or DVD and studied over and over and over again, yet my weapon of choice for inspiration were the print magazines released every month. Now, in times of the digital word, countless blogs, social media, digesting the news about literally anything – not just the subculture of skateboarding – has changed radically, not just compared to the early 2000’s, but the pre-internet times. And …

Lost in the moody hues: Maya Beano

I always have a knack for brilliant analog photography, but the level of atmosphere in Maya Beano’s moody images is off the charts. If there is ever a perfect moment, the perfect weather conditions, the perfect interplay of light and shadows, she’s right there and well knows how to use and command the elements. Whether it is playing around with haunting double exposures, long exposures, different filters of beautiful monochrome, purple, violet or turquoise colour hues or shooting on simple 35mm film format, there’s always something awe-inspiring to discover in her compositions. Of course, Maya’s skill didn’t go unnoticed over the years: Her stunning work has raised eyebrows at The Independent Photographer, has been featured in #PHOTOGRAPHY magazine, selected for a fantastic Oh Comely cover or listed as part of the If You Leave Showcases 2015 and 2016. And deservedly so. Check out more of her work here on her website and social media feed: mayabeano.com @instagram @tumblr

Spot On: Marco De Masi

Have a browse on my blog and you’ll quickly figure out that I’m in love with clever, conceptual designs and illustrations that explore an idea with simple but beautiful ingredients. Marco De Masi is an Italian freelance graphic designer and illustrator from Lecce, whose thought-provoking and eye-catching works are right on the money. His crisp and minimalist style, his selection of rich colours and the way he plays with the viewer’s perspective is just oddly satisfying. @facebook @instagram

Wee catch up: Rumana Sayed

I vaguely memorised Rumana Sayed’s name almost a year ago when I was flicking through the truly fantastic ‘Every Woman Super Woman’ zine with its colourful aesthetics and powerful words. Fast forward half a year later, the young graphic designer becomes the new artist-in-residence at Out of the Blueprint and pretty successfully showcases a bold and punchy body of work in her first solo exhibition ‘Don’t Be Denied’. So we have a wee bit of catching up to do! Tell me a bit about your background. How did you get into making art? My name is Rumana Sayed, I’m 21 years old and live in Edinburgh. I was born in South Africa, but been brought up in the heart of Leith for 17 years. Growing up I have always been into making and creating. I didn’t know what I wanted to do leaving High School. I got into Edinburgh college to do Visual Communication & Graphic Design, studied for 3 years and it became a part of my life ever since. Its a tool for me to creative things differently in a unique way. …